When working with a smaller project, like the rose window boutis below, there is the ever present question of how to finish it. Regardless of whether I am quilting, embroidering or stitching boutis, I like the piece to serve a purpose; be useful in some way. Averyclaire, quilter and embroiderer extraordinaire, is a Whizzz at creative, beautifully constructed finishes and never seems to run out of ideas. In fact, she runs a little finishing business, where she will finish other people's embroidered work, all with meticulous care and craftsmanship. But for me, it's always a bit of a quandary.
So, how to finish this little 5" x 5" boutis square. Since the inspiration for the initial boutis design was a rose window, I thought, why not make it into a wall hanging of a larger rose window, with machine quilting framing the boutis.
One of the things that I love most about Europe is it's multitude of historical buildings, of which most are still very much in use today. Cathedrals, in particular, provide a huge source of design inspiration for me. From floor to ceiling, inside to out, they hold a treasure trove of motifs and patterns. So consequently, a large portion of my photographs are of churches and cathedrals. Rose windows, in particular, fascinate me and seem to have become a recurring theme when I'm designing my boutis. One of the reasons is that the patterns in these windows easily lend themselves to boutis design.
Below is a photo of a rose window taken in Paris a number of years ago. It was seeing this particular window for the first time that I had the idea it could easily be translated into a pattern of channels required for stitching boutis. Ironically, this building is not even a cathedral, but rather it is Paris City Hall in the "premier arrondissement". Never mind that, the rose window is still beautiful.
That rose window became the springboard for the original 5" x 5" boutis piece, as well as the quilting design that will frame the boutis.
|My initial design process.|
Included are 2 photos of actual cathedrals.
Below is the final quilting design, (a loose interpretation of the original). The blank square in the center of the circle is where the boutis will be reverse appliqued into place.
|The inner circles were drawn prematurely and should not be there.|
Below, the quilting pattern has been traced onto some white batiste, and the boutis square has been reverse appliqued into the center.
The back of the boutis is trimmed to 1/4 inch. It will be sandwiched between the layers of batting and backing.
Next, the entire circular window is reverse appliqued into a gray fabric, which will form the stone tower for my rose window.
Both the front and back of the boutis should be visible in the finished product. Therefore, batting and backing are aligned with the front and a 5 " square is cut out of both materials where the back of the boutis will remain visible. The backing fabric encloses the batting and is appliqued to the back side of the boutis.
When all 3 layers have been attached to the boutis, the rest of the quilt is sandwiched, pinned and ready for machine quilting. More on that next time...